Tuinconcert op Buitenplaats ’t Hartelaer met Academia de los Afectos

Academia de los Afectos was created by the complicity of some students colleagues from the Koninklijk Conservatorium Den Haag in 2014. These young musicians have enthusiasm to create an Early Music Ensemble intended to express and convey the emotions to the public. This ensemble on period instruments invites people to meet and enjoy a historical recreation of the eighteenth and nineteenth centuries. The interest about recovering this repertoire and passion for music characterize this ensemble and make it a special opportunity to enjoy this music. They have received coaching by very important early music experts such as Eric Hoeprich, Donna Agrell, Wilbert Hazelzet, Kate Clark or Frank de Bruin.

The group has already performed several times in different festivals, such as “Bach Festival, Puerto de la Cruz” (Tenerife, Spain), “Ciclo de Jóvenes Intérpretes” (Gran Canaria, Spain), Utrecht Early Music Festival (The Netherlands) and MA Festival Brugge (Belgium).

All its members work with the most remarkable groups in the European Early Music scene.

Programma

Walckiers, Eugène (1793- 1866): Trio II pour flûte, clarinette et basson, Op.12 I.Andante con molto II. Andante III. Final

André-Frédéric Eler (1764-1821): Trio pour flûte, clarinette et basson, Op.9. No1. Allegro molto II. Larghetto III. Rondo allegretto.

Walckiers, Eugène (1793- 1866): Trio I pour flûte, clarinette et basson, Op.12 I.Moderato II. Minuetto III. Finale

With this proposal we want to oer the public an opportunity to discover music composed during the first half of the nineteenth century, performed under the criteria of the historically informed performance practice (HIPP) and highlighting the usage of original period instruments or copies of them.

With our experience as wind instrument players, we want to bring to life and rediscover the music of unknown composers, especially within the field of chamber music. Music that served as an example and also motivated later generations of composers to write a lot of chamber music for different wind ensembles. That is why we believe our proposal is an innovative and attractive option for today’s public, and we have the certainty that the listener will enjoy the nuances that this music offers.

Dit concert, georganiseerd door Museum Geelvinck, is tot stand gekomen met de Balkonscene subsidie van Fonds Podiumkunsten. Met dank aan Buitenplaats ’t Hartelaer.